After the over-all intensity of the Jalq’a works, there was a desire to lighten the compositions, allowing more of the white ‘ground’ of the wall to be read within the design. It was the geometric border friezes within the mosaic panels found in Imperial Roman baths that has lead to the subsequent ‘lighter’ more open linear Terme series.
‘Terme 1’ 2009, acrylic on wood, 138 x 101 x 6cm ‘Terme 2’ 2010, acrylic on wood, 58 x 249 x 5cm‘Terme 3’ 2010, acrylic on wood, 113 x 131 x 5cm‘Terme 4’ 2011, acrylic on wood, 132 x 113 x 5cm‘Terme 5’ 2011, acrylic on wood, 129 x 98 x 5cm‘Terme 6’ 2011, acrylic on wood, 113 x 175 x 5cm‘Terme 7’, 2012, acrylic on wood, 112 x 162 x 5cm‘Terme 8’, 2012, acrylic on wood, 107 x 82 x 5.5‘Terme 9’, 2013, acrylic on wood, 107 x 186 x 6cm‘Terme 10’, 2013, acrylic on wood, 138 x 107 x 6cm‘Terme 11’, 2013, acrylic on wood, 104 x 159 x 6cm‘Terme 12, 2014, acrylic on wood, 138 x 107 x 6cm‘Terme 13’, 2015, acrylic on wood, 138 x 107 x 6cm‘Terme 14’, 2015, acrylic on wood, 88 x 88 x 6cm‘Terme 15’, 2015, acrylic on wood, 79 x 80 x 5.5cm‘Terme 16’, 2015, acrylic on wood, 80 x 78 x 5.5cm‘Terme 17’, 2015-16, acrylic on wood, 84 x 80 x 5.5cm‘Terme 18’, 2016, acrylic on wood, 77 x 81 x 5.5cm‘Terme 19’, 2016, acrylic on wood, 81 x 77 x 5.5cm
